Director Rajesh must indeed be a lucky man. He has solely banked on current comedy king Santhanam to dish out a close to 3hrs long movie that is entertaining only when our comedy king is on screen. The story is the same old "hero pursuing heroine with the support of Santhanam", like it was in SMS and BEB.
While Jiiva was a super match to Santhanam in SMS and made it a cult, Arya tried his level best to make 'Nanbenda' a memorable affair too. Here Debutante Udhayanidhi's only plus point is his pretty decent voice. He is funny at dance and poor at emoting. Blessed with boyish looks and shitloads of money, a new hero has arrived. His dance moves need serious addressing. He is much better producing blockbusters, personally speaking.
But OKOK has become the biggest hit among Rajesh's 3 movies so far. Strange fact. The quality is dipping with every movie but the collections are almost doubling.
There are some needless cameos for a fat,jaded Sneha, the sexy Andrea and the charming Arya. The movie has really been extended thanks to these cameos. The sequence in the plane is one big drag. The editor has seriously slept off while working in his FCP or whatever.
Harris' songs are on the money. His luck and good time seem to be never ending. That said, the Venam Machan song looks good on screen.
Saranya turns in a typically delightful performance as the mother of our hero. Her attempts at passing her degree exams since 20 long years and her relationship with her stubborn husband are a nice sub-plot in the movie.
Hansika has been taken for a ride. In the 'Azhage Azhage' song, she runs around the screen all through the song exposing her ample cleavage in extremely tight, low neck gowns. The intentions of the director and choreographer are obvious in this song. Her fat body, her makeup sense, her dresses etc have been made a mockery too, through some dialogs in the movie. She looks perplexed all through the movie. It seems young heroines can do anything for a good pay package. A sad performance after a delightful one in Engeyum Kadhal.
Finally our man Santhanam. With colorful clothes, a Brahmin slang to his English, terrific one liners / one words, a funny profession, a hilarious car etc etc. this man is a riot and a superstar in his own right. This movie is another feather in his already decorated cap. It would not be off the mark to say that OKOK would have been a headless dead body if not for Santhanam.
VERDICT: Only Santhanam ... nothing else. The entire team must be indebted to this one-man army.
While Jiiva was a super match to Santhanam in SMS and made it a cult, Arya tried his level best to make 'Nanbenda' a memorable affair too. Here Debutante Udhayanidhi's only plus point is his pretty decent voice. He is funny at dance and poor at emoting. Blessed with boyish looks and shitloads of money, a new hero has arrived. His dance moves need serious addressing. He is much better producing blockbusters, personally speaking.
But OKOK has become the biggest hit among Rajesh's 3 movies so far. Strange fact. The quality is dipping with every movie but the collections are almost doubling.
There are some needless cameos for a fat,jaded Sneha, the sexy Andrea and the charming Arya. The movie has really been extended thanks to these cameos. The sequence in the plane is one big drag. The editor has seriously slept off while working in his FCP or whatever.
Harris' songs are on the money. His luck and good time seem to be never ending. That said, the Venam Machan song looks good on screen.
Saranya turns in a typically delightful performance as the mother of our hero. Her attempts at passing her degree exams since 20 long years and her relationship with her stubborn husband are a nice sub-plot in the movie.
Hansika has been taken for a ride. In the 'Azhage Azhage' song, she runs around the screen all through the song exposing her ample cleavage in extremely tight, low neck gowns. The intentions of the director and choreographer are obvious in this song. Her fat body, her makeup sense, her dresses etc have been made a mockery too, through some dialogs in the movie. She looks perplexed all through the movie. It seems young heroines can do anything for a good pay package. A sad performance after a delightful one in Engeyum Kadhal.
Finally our man Santhanam. With colorful clothes, a Brahmin slang to his English, terrific one liners / one words, a funny profession, a hilarious car etc etc. this man is a riot and a superstar in his own right. This movie is another feather in his already decorated cap. It would not be off the mark to say that OKOK would have been a headless dead body if not for Santhanam.
VERDICT: Only Santhanam ... nothing else. The entire team must be indebted to this one-man army.
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