Tezz review

Genre: Action Thriller

Prolific director Priyadarshan has decided to try out some thrills and spills, leaving behind his favorite comedy genre. Senior statesmen Ajay Devgn and Anil Kapoor are part of the cast which includes some more bankable names in Boman Irani and Sameera Reddy. Made at a generous budget of 40 crores, Tezz released in close to 2000 screens. Does it provide the expected adrenaline rush?

An Indian immigrant (Aakash Rana) with a maligned past suddenly lands up in London after a 4 year exile and decides to plant bombs in a  goods train and more importantly in the London – Glasgow bullet train. Expectedly the railway network and the police force are forced to take the requisite measures. What forced Aakash to take this step, what happens to the bomb & the 500 passengers and whether he unites with his estranged family are certain questions for which the answers may be found in a theater near you where Tezz is playing.

Though the actual trigger that makes Aakash do what he does, is not very convincing, the action on screen and the pacy screenplay make you forget such glitches. There are all sorts of terrific action blocks featuring Parkour, bike stunts and river rafting. The cinematographer Tirru must be given major credit for the superior cinematography and the aforementioned pulsating action fest.

On the performance front, Anil Kapoor and Boman Irani compete for the cake. After a long time, Anil is intensity personified and really turns in a solid show as the investigating cop. His working style is reminiscent of the legendary Harry Callahan. Boman Irani also keeps the tension going with his proactive moves as the railways traffic head. Ajay Devgn doesn’t have much scope as the lead other than looking grim, manly and speaking some serious lines. Zayed Khan must be a proud man for all the Parkour stunts that have been credited to him, thanks to the stunt double.  On the ladies front, Sameera Reddy has an action packed role in which she excels while Kangana Ranaut is crying most of the time in her artificial style. Mohan Lal in a cameo as the cop looks pretty stuffed and there isn’t much required out of him.

Technically, the movie is superior thanks to some stunning cinematography by Tirru. His aerial shots of the bullet train are captivating. The songs by Sajid-Wajid pop up at odd times including the totally unwarranted item number by Mallika Sherawat right at the beginning of the movie. But, despite these speed breakers, Tezz mostly gallops to the finish line.

If only the setup to why Aakash decides to plant these bombs had been convincing and the needless songs had been chopped off completely, this movie would have been more taut and riveting.

To conclude, Priyadarshan has come out with an action thriller that is convincing to a large extent inspite of the obvious inspiration from ‘Speed’, that classic Keanu Reeves action thriller.

VERDICT: Save a few minor glitches, this one fittingly lives up to its title

2.5 stars

Vettai movie review

The plot is set in Tuticorin and we have 2 brothers who are diametrically opposite to each other. While the elder one Thirumurthy is a timid man who fears everything, the younger one, Gurumurthy is a fearless bloke who doesn't mind getting into a hustle now and then.

Thiru incidentally gets into the police force after his father's death and he is helped by his brother while dealing with the rogues and rowdy elements in town, in the form of Mari and Annachi. The brothers get hitched to a pair of sisters. The elder pair's is an arranged marriage while the younger pair fall in love and get married later.

Thiru gains the respect of his colleagues and family due to his brother's timely 'action' interventions. The villains are baying for his blood and they eventually find out that Thiru is actually a timid guy and they bash him to pulp. Then with his younger brother's encouragement, Thiru turns a new leaf. It is like a rebirth and he goes around town wrecking havoc on the villains in his new 'action' avatar.

After a cliched climax where the brothers' wives are also dragged in, the villains are hunted and the 'vettai' is complete.

Hits

• The movie moves lightheartedly for the majority of the first half and it is enjoyable till then. Maddy and Arya bond well with their comic timing and their contrasts in character. In the second half when Arya and Amala play around with the NRI groom, it is entertaining too, thanks to the NRI guy's artificial accent and antics. 
• Amala Paul is really fresh and has a long career ahead. She carries off any costume gracefully and emotes well too. 
• Sameera goes overboard at times but is decent as the talkative and bold elder sister.
• The camera work by Nirav Shah makes the film look glossy. 
• The scene where Ajith's Mankatha intro scene comes on screen, sends the crowd into frenzy. The mini cameo by Jiiva on screen in the movie Ko is another mini-highlight. 

Misses

• The villains are cliched and are a caricature with their loud voices, stale punch dialogs, long hair, unkempt beard etc etc. For how long will this continue? 
• Whenever the movie becomes serious and action oriented, the audience mocks. Such is the formulaic treatment. The climax in particular is a major drag and is totally stale. The scene where Maddy gets up from the wheel chair seeing his brother getting hit, is hilarious and silly. Unintentionally funny scenes galore. 
• Arya and Maddy hardly look convincing in action and Maddy sucks during his dance in the opening number. 
• The BGM by Yuvan is a major letdown. 

Comments

• Average songs which have been placed just for sake to fill time. Kattipudi is the pick of the lot. 

VERDICT

The light hearted scenes make the movie watchable while there are lot of unintentionally funny scenes as well. Half baked hunt. 

Nadunisi Naaygal (2011)

Whats it about:
The entire movie is in flashback mode narrated by a mental criminal Veera aka Samar. Samar, a young 8 yr old boy is subjected to sexual abuse by his father and his group of friends at their Bombay home. By the age of 13, he gets fed up and takes refuge at his neighbor Meenakshi's home.Meenakshi notices the shocking happenings at Samar's home and informs the police and also adopts Samar.
          Samar rechristened as Veera grows up in Meenakshi's home and by teenage starts developing feelings for his guardian. They make love on one fateful night and Samar also brutally wrecks Meenakshi's new marriage life by killing her husband and also causing a major fire ...
          Samar becomes a psycho due to his disturbed childhood, moves to Chennai, stalks girls online, kidnaps girls, brutally murders them, chops off their hair and renews his contacts with his school sweetheart Sukanya. All along we also see Meenakshi amma in a gory burnt up look living along with Samar in their Chennai farmhouse.
          As Samar is about to finish off Sukanya after a major struggle, the police get closer on his trail and we also get to know the truth behind Samar's wild instincts.  It is a combination of multiple personality disorder and hallucination. One SHOCKER indeed ...

                                                                        

Hits

• All the ingredients of a thriller are spot on. Terrific sound effects, rottweiler dogs, eerie lighting, class cinematography ... aesthetic sense written all over this Gautham product. 
• What a shocking genre bender from Gautham who usually is a director for the entire family.
• Terrific debut by Veera. Such a tough role as Veera-Samar-Meenakshi amma rolled into one ... Commendable 'Psycho' show
• Sameera as the traumatized Sukanya is adequate.
• The woman who acts as Meenakshi has a major role. Initially the caring mother like woman, later the gory burnt up avenger image ... Scary make up ... 
• The twist in the tale actually makes this product top notch and really international class. 
• A different message about male sexual abuse rather than the clichéd female sexual abuse. 

VERDICT

Just when you start thinking that Gautham is going overboard with the psycho acts performed by Samar and Meenakshi amma, he gives us a terrific shock that hits us like a bolt. A worthy tribute to all the hallucination and multiple personality based Holly classics ... DON'T MISS IT ...